Mark’s Review:

Even though most of their programming revolves around reality competitions for the next Hawaiian Tropic Girl or Dallas Cowboy Cheerleader, I surprisingly never watch the channel HDNet. So, it’s anyone’s guess on how I stumbled upon this concert while flipping through channels, but I guess when you see Rob on a Harley, you stop and take note. I had high hopes, because the last time I caught a concert on this channel, it was Megadeth’s Blood in the Water, which was unreal in sight and sound. The Priest concert was about an hour long and features the 4 original members and Scott Travis cranking out British Steel in it’s entirety, along with a few other choice hits. The show was taped in Florida during last summer’s tour to commemorate the 30th anniversary of the album, which is astounding when you think about it. Now, I’m of the belief that British Steel is not the best Priest album, but I was eager to hear live renditions of some of the deep cuts. Overall, the show looks and sounds fantastic, and if you’re willing to put up with the shortcomings that time and age have bestowed on a heavy metal icon, then it’s a very satisfying Priest experience.

The concert is filmed in full HD glory, and although the thought of seeing K.K. Downing in 1080p is frightening, the presentation does an outstanding job at capturing the intense light show as well as the interesting costume choices made by the band. The camera work and editing of the show is also great. We catch every Scott Travis drum fill, Glenn Tipton pick slide, and Ian Hill… well, just standing in the back being Ian Hill. But the element that stands out is the sound, especially from the guitars. That over-driven, synth-like distortion generated from the twin guitars comes through so bold and loud, every song is made heavier and better from it. The sound is so metal, and so Priest, and they use it to their advantage to thicken up typical borefests like United and Living After Midnight. It’s amazing to me how Downing and Tipton don’t get more respect in the guitar and metal community. Maybe it’s because there are two of them, or that Rob is really the figurehead of the band, but their playing is effortless and flawless during the concert. The fact that they’ve been able to adapt and mold their signature sound to remain heavy while retaining the vibe of the early days should also be saluted. Some may say Rob’s return to the band gave them a new spark, but I firmly believe that without Scott Travis the band does not have the same power or longevity. He’s the ultimate metal drummer and the perfect backing pulse for the rest of the band.

Which brings us to Rob, who is showing that singing in his range is a very hard thing to do night after night when you’re almost 60 years old. I’ve seen Rob on the past few Priest tours, and although he’s using more effects to stretch his signature wails and screams, he still delivers. I’m sure they needed to tone down some of the effects for post-production on this concert, but he seems to play it very safe, avoiding all higher notes in fear of having a voice crack immortalized on film. Usually this isn’t a bad thing, but during You Don’t Have to Be Old to Be Wise, and Hell Patrol, the songs feel a little incomplete because they miss these dynamic vocal moments. The Ripper is pretty bad without these high notes, and when compared to the legendary performance on Unleashed in the East (quite possibly the best “Rob note” ever) it’s laughable. Also, while the other members have stayed in relatively good shape, Rob seems to have packed on at least 50lbs. He wears layers of denim and leather to cover his now-massive gut, and he stumbles around the stage in a way that he might think is menacing, but in reality is unintentionally humorous. I understand that icons get old and things happen, but Rob’s leaving himself open for criticism since he started referring to himself as “The Metal God“.

The concert is airing all week, and HDNet has a cool website that allows you to search for this show and add it to your Google Calendar. It’s definitely worth a viewing for the camera and sound quality alone. Just make sure you understand you’re getting 2010 Rob, not the one from the Breaking the Law video.

Mark’s Rating:

King says: “Oh, hi Rob… sooooo, um… having trouble hitting those high notes eh? hmmm… yeah… that’s tough… kinda sucks doesn’t it?… oh well. ttyl.
- KD”

Mark’s Review

This tattoo rates high on the Awesome Scale, although having 3/4 of the band depicted with their eyes closed is an interesting, albeit daring choice. I have a few beefs though, first, no Dave Holland??? Sure, I guess you could say that Mt. Rushmore only has 4 spots, but you could swap Ian Hill out for him. Second, I want to have Hell Bent for Leather-era Rob on there. You know, when he wore mirrored shades and leather chaps and no one knew he was gay? If not that, then maybe Turbo-era with the sweet mullet. All in all, I’m jealous of this guy. I’m sure he has to carry an aluminum stick and some sort of smoke flare in order to beat back and then quickly escape all the pussy he attracts. I don’t know who the senators or governor of South Dakota is, but they need to look into this right away.

Justin’s Review

It’s too bad Gutzon Borglum is dead, because I’m certain he would’ve jumped all over the chance to carve the forefathers of metal into the side of a mountain. Can you imagine how much dynamite they’d have to go through to recreate such perfectly feathered hair? The attention to detail would’ve had Michelangelo spinning in his grave with envy.

Though I truly have to wonder how the fine folks of South Dakota would’ve felt about a monument to the Brits in their back yard. Probably would’ve been better off going with Metallica or Slayer instead.

Alas… this stellar back piece is all we will ever know for sure.

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